Jun. 27th, 2010

dmp: Taking a stroll in my finery (Default)
Note from Ay-leen: This is part 2 of Noah Meernaum's essay about minority representations in Weird West. Part 1 can be read here. For those interested in the Works Cited resource information for the full essay, please contact me.




7. Occidental Outlines – Asian defacement in American popular periodicals, run from the story papers and bound ‘yellow-backs’, to the periled portrayals wrapped in America pulp. 1

For even as the Occident regards the Far East, so does the Far East regard the Occident, - only with this difference: that what each most esteems in itself is least likely to be esteemed by the other.--Lafcadio Hearn/ Koizumi Yakumo, Kokoro 2

The stereotyped imprint of Chinese immigrants was initially contentedly rendered in the pictured accounts in mid-nineteenth century America through publications such as Harper’s New Monthly in the 1850’s that showed the distinctive pig-tail and conical basin hat of “John Chinaman’” and this picturesque “Celestial” was a widespread Western rendition in American periodicals, drawn from imparted occidental accounts of the “mystical men of the Orient”. 3 With the increased influx of Chinese people entering the American west, specifically within California, in search of golden prospects, promises of abundant land, and industrious opportunity their expanding population was leading to unsettling the sedate Western imprint of removed mysticism shown of oriental representation as the advancing closeness of Chinese residents were informing fearful features upon its distantly complacent cast.

Read the rest here.

December 2012

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