dmp: Taking a stroll in my finery (Default)
[personal profile] dmp
Note: Cross-posted with permission from Edwardian Promenade.

Meta (mee-tah) Vaux Warrick Fuller was not the first African-American sculptress–that would be Edmonia Lewis–but she became the most prominent. She was born in 1877 to a prominent Philadelphia family, her father a successful barber and her mother an equally successful beautician. Raised in relative financial comfort, and educated in the typical feminine graces of the time, Fuller’s career as an artist began in high school, when one of her projects was chosen for inclusion in the 1893 Chicago World’s Fair. This work won her a full scholarship to the Pennsylvania Museum & School of Industrial Art, where she received her diploma and teacher’s certificate. During her time at PMSIA, one of her first original pieces in clay was a head of Medusa, which “with its hanging jaw, beads of gore, and eyes starting from their sockets, marked her as a sculptor of the horrible.” She won further prizes for her work, receiving a prize for metal work with a crucifix upon which hung the figure of Christ torn by anguish, and an honourable mention for her work in modeling. She then won, in her post-graduate studies, the George K. Crozier first prize for the best general work in modeling for the piece “Procession of Arts and Crafts.”

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