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In exploring the range of music that has been classified under the steampunk umbrella, Psyche Corporation would be on the more Gothic side of the spectrum. The one-woman musical singer behind the band,  Psyche Chimère possesses a versatile voice, and her music ranges as far as the imaginative topics she sings about. At turns Psyche Corporation moves from evocative and theatrical, as with“Part of Her Design” or “Beast”; to the darkwave dance beats of “Institute” or “The Crime”; to whimsical but edgy storytelling like in “The Ceiling” and “Wonderland.” (You can listen to her music on her MySpace, Reverbnation, or last.fm).

Psyche Corporation’s music, however, has struck a chord with the steampunk community, and she has performed at steampunk events around the country, including The Steampunk World’s Fair in New Jersey, Dorian’s Parlor in Philadelphia, the Steampunk Salon run by the Brooklyn Indie Mart, and in conjunction with Steampunk Canada & the Toronto Steampunk Society for Canada’s Fan Expo. Psyche Corporation’s next steampunk performance will be at The Anachronism at Webster Hall in New York City on November 21st.

Just in time for Halloween, however, Gen stopped by the blog to talk about her darkly-tinged music and her career as a musician in the steampunk community.

Read on BeyondVictoriana.com
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I first heard Coyote Run while at Wicked Faire, but didn't have a chance to see their full set until Steampunk World 's Fair. My friend Max had practically leaped out of the hallway where we had been talking, exclaiming, "I have to go Coyote Run is playing--!" My friend in question tends to be very enthused about a lot of things, and from what I had gathered from him before his sudden dash was that Coyote Run was one of the best gypsypunk bands he had ever seen and so it was absolutely imperative that I go see them too. I watched their set and was quite impressed with their crackling energy and great sense of showmanship. And, surprisingly enough, I also found out that they don't identify themselves as steampunk, or even as gypsypunk, but as a Celtic rock band. That in itself is very interesting, considering the variety of international instruments they play and the range of genres they incorporate into their music.

For some examples of the type of tunes they play, I recommend checking out their YouTube videos Whalesong and But For Blood.

Afterward, I got in touch with Coyote Run's lead singer David Doersch to talk about their versatile sound.

Read on BeyondVictoriana.com..
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Steampunk music comes in various interpretations and styles, from Rasputina's lilting southern gothic to Sunday Driver's Indian-infused world folk and Vernian Process's melodic steamwave instrumentals. But few bands can embody steampunk's post-modernist mix of eclectic, rip-roaring energy as the ladies and gentlemen that make up Emperor Norton's Stationary Marching Band. Today being the Fourth of July, the US holiday marked by parades, parties, and fireworks, I thought it was only apt to feature some big, incendiary music on the blog, and ENSMB is as big as steampunk bands can get.







The band professes that their origins stemmed from esteemed eccentric Emperor Norton's final deathbed revelation:



Before passing from this plane in 1880, Emperor Norton, I, revealed to his followers that he was no ordinary mortal man, but instead a manifestation of the absurd and unusual forces of the universe. He offered them the chance to follow him on his crusade to unsettle and disturb that which had become bland and banal. A grand parade ensued and continues on through time and space, bringing in its wake a glorious commotion that encourages all to join in the jubilation and make of this world what they will.


ENSMB is the progeny of this bizarre cavalcade. They dance at the edge of reason, sing the song of society's fringe and drum out whatever din you are called to march to. Emperor Norton is not dead; he is waiting to be awakened in each of us.

Saxophonist and ringleader Handsome Chuck (the gent in the bowler and spiffin' side-whiskers in the first row, right-hand side in the above picture) offered some insights into the workings of steampunk's most mobile musical group.



Read on BeyondVictoriana.com
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This post has been been cross-posted to Beyond Victoriana's own website. Please submit all comments there.

Sunday Driver


Carnival Catalyst
over at The Steampunk Empire first brought my attention to Sunday Driver, and later that same day, I read Libby Bulloff's glowing praise for their work (and smelled a snowball effect coming on. And, boy, do I like making snowballs. So I checked out their site and brought In the City of Dreadful Night
from iTunes to hear for myself and was blown away. From the fusion spin on traditional Indian chant in "The Gayatri Mantra" to the smooth-to-edgy variations in "Heroes" to her darkly whimsical jazz croon of "Rats," lead singer Chandrika "Chandy" Nath gives a strong and varied performance on this album, with strong instrumental support from band members Joel (Guitar & Sitar), Kat Arney (Harp, Clarinet(s),Spoons), Matthew Sarkar (Tabla - though recently Rahul Ghosh has taken his place), Melon (Bass), Chemise (Guitar), and Scot Jowett (Drums).




Recently, I had the pleasure of talking with Chandy
with the occasional pop-in answer from Joelabout their music, their band, and their views on steampunk.


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